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By: Harpreet Kaur, Shruti H. Kapur, and Sukriti Dogra
1. Assistant Professor, Department of Architecture and Planning, CT Institute of Architecture and Planning, CT Group of Institutions, Jalandhar, Punjab, India
2. Professor, Department of Architecture and Planning, CT Institute of Architecture and Planning, CT Group of Institutions, Jalandhar 144001, Punjab, India
3. Assitant Professor, Department of Architecture and Planning, CT Institute of Architecture and Planning, CT Group of Institutions, Jalandhar, Punjab, India
Impressionism, an art movement that emerged between the 19th and 20th centuries, significantly transformed the landscape of visual art, particularly in the United States. Originating in Paris during the 1860s, with Claude Monet as its pioneering figure, Impressionism marked a departure from traditional artistic conventions and the rise of a new approach that challenged the realism of photography. Prominent artists like Camille Pissarro, Édouard Manet, Edgar Degas, and Renoir contributed to this movement, rejecting the rigid demands of public taste. The movement was characterized by its innovative approach to capturing light and color, with Impressionists employing scientific research to achieve a more nuanced representation of tonal values. They favored painting series of works in the same location under varying light conditions, focusing on the effects of natural light rather than adhering to the classical chiaroscuro technique. This style allowed for the creation of paintings with visible, choppy brush strokes, capturing fleeting moments of light and color, often painted en plein air (outdoors) rather than in studios. Impressionism, despite its initial public and critical resistance, initiated a profound change in art, introducing new techniques, subject matters, and color palettes that reflected the socio-political and ideological shifts of the time. This paper analyzes the contributions of three key artists – Louis Boudin, Claude Monet, and Edgar Degas – highlighting Monet’s revolutionary approach with his 1872 painting “Impression, Sunrise,” which gave the movement its name. Through these analyzes, the paper explores how Impressionism challenged the status quo and redefined artistic expression during this transformative period.
Keywords: Impressionism, landscapes, Natural Illumination, Claude Monet, Traditional Artistic
Citation:
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